My top 25 100 (in alphabetical order)

All Quiet on the Western Front (Lewis Milestone)
Angel (Ernst Lubitsch)
The Art of Vision (Stan Brakhage)
The Ascent (Larisa Shepitko)
An Autumn Afternoon (Yasujiro Ozu)
The Bad News Bears (Michael Ritchie)
The Ballad of Narayama (Shohei Imamura)
Berlin Alexanderplatz (Rainer Werner Fassbinder)
Black God, White Devil (Glauber Rocha)
Bound for Glory (Hal Ashby)
A Brighter Summer Day (Edward Yang)
The Cameraman (Edward Sedgwick)
Careful (Guy Maddin)
Casque d’Or (Jacques Becker)
The Chronicle of Anna Magdalena Bach (Jean-Marie Straub and Daniele Huillet)
The Circus (Charlie Chaplin)
City Girl (F.W. Murnau)
The Cloud-Capped Star (Ritwik Ghatak)
The Color of Pomegranates (Sergei Parajanov)
The Conqueror Worm (Michael Reeves)
The Crowd (King Vidor)
Cul-de-Sac (Roman Polanski)
A Day in the Country (Jean Renoir)
Deep End (Jerzy Skolimowski)
Dial M For Murder (Alfred Hitchcock)
Docks of New York (Josef Von Sternberg)
The Eight Diagram Pole Fighter (Liu Chia-liang)
El (Luis Buñuel)
Fires on the Plain (Kon Ichikawa)
Floating Clouds (Mikio Naruse)
The Freethinker (Peter Watkins)
The Green Room (Francois Truffaut)
A Grin Without a Cat (Chris Marker)
Gunga Din (George Stevens)
The Hawks and the Sparrows (Pier Paolo Pasolini)
Histoire(s) du Cinema (Jean-Luc Godard)
The House Is Black (Furough Farrokhzad)
I Am Cuba (Mikhail Kalatozov)
Images (Robert Altman)
India Song (Marguerite Duras)
Inherit the Wind (Stanley Kramer)
Le Jour Se Leve (Marcel Carne)
Kes (Ken Loach)
Kings of the Road (Wim Wenders)
Land of Silence and Darkness (Werner Herzog)
Louisiana Story (Robert Flaherty)
Loulou (Maurice Pialat)
Love Me Tonight (Rouben Mamoulian)
Luna (Bernardo Bertolucci)
The Lusty Men (Nicholas Ray)
Macbeth (Orson Welles)
The Magician (Ingmar Bergman)
Man of the West (Anthony Mann)
Mauvais Sang (Leos Carax)
Memories of Underdevelopment (Tomas Gutierrez Alea)
The Music Room (Satyajit Ray)
The Nun (Jacques Rivette)
Odd Man Out (Carol Reed)
On the Marriage Broker Joke As Cited by Sigmund Freud in Wit and Its Relation to the Unconscious or Can the Avant-Garde Artist be Wholed? (Owen Land)
One-Eyed Jacks (Marlon Brando)
Paisan (Roberto Rosselini)
Pauline at the Beach (Eric Rohmer)
Pink Flamingos (John Waters)
Pretty Poison (Noel Black)
The Private Life of Sherlock Holmes (Billy Wilder)
Providence (Alain Resnais)
Pyaasa (Guru Dutt)
Re-Animator (Stuart Gordon)
The Reckless Moment (Max Ophuls)
Risky Business (Paul Brickman)
Salvatore Giuliano (Francesco Rosi)
Samurai Rebellion (Masaki Kobayashi)
Second Breath (Jean-Pierre Melville)
Senso (Luchino Visconti)
The Servant (Joseph Losey)
Seven Men From Now (Budd Boetticher)
The Small Back Room (Michael Powell and Emeric Pressburger)
Some Came Running (Vincente Minnelli)
The Swimmer (Frank Perry)
The Tarnished Angels (Douglas Sirk)
They Were Expendable (John Ford)
The Time to Live and the Time to Die (Hou Hsiao-hsien)
Titicut Follies (Frederick Wiseman)
To Live (Zhang Yimou)
Tokyo Drifter (Seijun Suzuki)
Tokyo Olympiad (Kon Ichikawa)
The Train (John Frankenheimer)
The Travelling Players (Theo Angelopoulos)
True Grit (Henry Hathaway)
El Verdugo (Luis Garcia Berlanga)
The War of the Worlds (Byron Haskin)
Wavelength (Michael Snow)
Where Is the Friend’s Home? (Abbas Kiarostami)
Why Has Bodhi-Dharma Left for the East? (Bae Yong-kyun)
Will Success Spoil Rock Hunter? (Frank Tashlin)
The World’s Greatest Sinner (Timothy Carey)
The Women (George Cukor)
Xala (Ousmane Sembene)
Yeelen (Souleymane Cisse)
Zazie Dans le Metro (Louis Malle)